| Discography
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Mother Hips - Green Hills of Earth |
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Released: 2001
Future Farmer
$15.00 |
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| 1. |
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Given for You |
| 2. |
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Life In the City |
| 3. |
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Take Us Out |
| 4. |
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Pull Us All Together |
| 5. |
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Singing Seems to Ease Me |
| 6. |
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Protein Sky |
| 7. |
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Channel Island Girl |
| 8. |
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Sarah Bellum |
| 9. |
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Such a Thing |
| 10. |
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Emotional Gold |
| 11. |
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Del Mar Station |
| 12. |
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Rich Little Girl |
| 13. |
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Smoke |
| 14. |
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Seaward Son |
TIM BLUHM - guitar, vocals, keys
GREG LOIACONO - guitar, vocals, keys
ISAAC PARSONS - bass
JOHN HOFER - drums
with guest:
PAUL HOAGLIN - vocals (7,9), mellotron (12)
Produced by Gideon Zaretsky
and Mother Hips
Recorded by Gideon Zaretsky
Mastered by John Golden
Design by Erik R. Bluhm
Future Farmer Records (2001)
Taken from the title of a sci-fi book
by author Robert Anson Heinlein, guitarist Greg Loiacano explained
the resonance of the title "Green Hills of Earth" with
the band. "We liked the image of the title, referring to the
earth like you're not on it." Fitting for a band that began
recording their latest album trying to make music in this new decade
that would sound like a band that wasn't part of it. Frequently
pegged as Americana or accused of lurking on the fringes of the
alt-country scene, singer/guitarist Tim Bluhm said the new record
was inspired by influences more along the lines of pop giants like
the Bee Gees and the Kinks, than anything alt or country."There's
no country rock on it at all. It's more pop music and a little more
experimental. The lyrics are more like dream style lyrics and the
music is a little fancier. We really wanted to play some music that
wasn't being played by anybody else. When we recorded "Later
Days" there were a lot of people playing that kind of music,
the acoustic kind of sit down thing."
Even though some of the new tunes were
nearly a year old the Hips tinkered tirelessly with arrangements
and instrumentation, swapping bass lines for piano parts and endlessly
-seeking new ways to bring their ever-evolving sound forward.
Typical of this approach was the recording
of "Seaward Son," the final song on the album. "I
had a very stripped down acoustic version of the song and that's
all," said Greg. "I put it down with 12-string and sang
over it and then we slowly started adding things that weren't bass,
drums and guitar." Some mellotron, tape loops, sound effects
and grand piano later, and it was done, shimmering in its final
reinvented form.

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